Lower 9th Ward

by Eugene Yacobson
Photos by Gordon Soderberg, New Orleans Voices For Peace

On May 2, far from the crowds and caravans of JazzFest, the Dr. Martin Luther King Jr. Charter School in the Lower 9th Ward was filled with the sounds of brass, blues and general jubilation. The occasion was the 1st Annual Peoples’ Festival, organized by Common Ground Relief, and featuring such JazzFest heavy-hitters as Big Chief Victor Harris and Fi Yi Yi, the Rebirth Brass Band and Michael Franti with Spearhead – all playing free of charge.

Lasting for more than four hours, the festival raised both funds and spirits - $4,500 of the former (all in donations from attendees of the concert), the latter in quantities indefinable. But the occasion had an even deeper purpose than raising money for the Lower 9th’s rebuilding efforts: to reflect the spirit of a different side of New Orleans, and to demonstrate that, for all its post-Katrina troubles, the neighborhood is back.

The venue and performers were symbolic of the Peoples’ Festival’s intentions. The Dr. Martin Luther King, Jr. Charter School for Science and Technology, which remains the only educational institution in the Lower 9th, was gutted and re-opened in 2006 by hundreds of volunteers defying open threats of arrest, becoming a nexus of hope for further grassroots rebuilding efforts.

By Maggie Barr
Photo By Matt Schinske

Groundbreaking ceremonies were held the evening of March 5, 2008 at the site of the Holy Ground Baptist Church in the Lower 9th Ward. In attendance were Reverend Adams, congregation members, Common Ground Volunteers and 9th Ward residents. Also present were members of Global Hope, a Chicago-based non-profit organization and representatives of Deltec Homes of Asheville, NC, the company that initiated the rebuilding of the church. Deltec brought a busload of builders from around the country to the ceremony. Building is to commence shortly and is a sign of hope for many in the L9 community and throughout the country.

A decidedly unusual site now greets visitors to the Lower Ninth ward: lots which have remained mostly vacant since August 29, 2005, have been transformed into a village of bright pink cubes.

Formally unveiled on December 3, the structures, which are constructed from scaffolding covered in custom tarpaulin, cover 12 city blocks. The installation will remain in place until January 8, open for visitors to walk through during the day, or drive through at night, when they are dramatically illuminated from below. The cubes represent homes simultaneously past and future. In their current, scattered state, they reflect the post-Katrina devastation. As contributions are made to the show’s organizers, the Make it Right Foundation, the cubes will be gradually rearranged into a neighborhood, symbolic of the homes that can and will be built.

On November 2-4, the quiet, abandoned streets of the Lower 9th were filled with N.O.P.D. vehicles, strings of parked cars, and the sounds of jazz and people. All of this was brought to the Lower 9th Ward by Creative Time's production of Samuel Beckett's Waiting for Godot, a tragicomedy directed by Christopher McElroen and Paul Chan, starring Wendell Pierce (of HBO's "The Wire"), J. Kyle Manzay, T. Ryder Smith, Mark McLaughlin, Tony Felix, and Michael Pepp. The production was enormously successful, and because of the unprecedented response, a third day was added in the Lower 9th to accommodate the many people who were turned away the first few nights. Even on the extra night, the number of people who attended were in excess of 400.